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LE LUCERNAIRE

Theatre
4.2/5
5 review

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53, rue Notre-Dame-des-Champs, 75006Paris, France
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2024
Recommended
2024

Le Lucernaire was founded in 1968 by actors, authors, and directors Christian Le Guillochet and Luce Berthommé, and in 1984 was awarded the label of "Centre National d'Art et Essai". Great artists such as Laurent Terzieff and Daniel Emilfork, as well as young companies, have created or revisited contemporary and classic texts here. There are two auditoriums, one "black", the other "red". Le Lucernaire also has three Art et Essai cinemas and a gallery dedicated to young photographers.

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Members' reviews on LE LUCERNAIRE

4.2/5
5 reviews
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The ratings and reviews below reflect the subjective opinions of members and not the opinion of The Little Witty.

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Visited in november 2024
'La Belle et la Bête'
Super spectacle ! Accueil, ambiance, confort, mise en scène, beauté des décors, qualité des comédiens....tout y est !
paul01
Visited in september 2018
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Le Lucernaire est un des lieux pluridisciplinaires les plus séduisants de Paris.
Théâtre, bar, restaurant, librairie...
Aller au Lucernaire, qui n' pas changé depuis bien longtemps, c'est une expérience.
Les spectacles, en général intimistes, se déroulent dans des salles à taille humaine, où on voit les acteurs, leur jeu, leurs gestes, leurs réactions.
De la proximité et de la qualité.
Et un verre après !
Many plays are held here. There is oire and eating in the program that allows you to see young people sometimes talented troops who could not get rooms or to perform if Lucernaire did not exist.
Place full price at £16 that dates.
I love this place to see a film even if the rooms are tiny, slightly outdated and rather battered armchairs.
There is a soul in this Lucernaire, it is a place that lives. Fortunately it was spared. It would be a shame that it disappears.
PS I saw there this afternoon a castle in Italy, superb, moving and funny film.
I found a place ideal for an evening: restaurant at the lively and efficient service; the dishes are good, sometimes very good and copious. The place is warm. The room was scheduled on the 1st floor, and was played closed counters. Despite that no malay, the baquettes are wide and the steps well enough designed so that any spectator is its account. The proximity to the stage is very interesting.

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