PALAIS DU LUXEMBOURG - SÉNAT

Commissioned in 1615 by Marie de Médicis, the Palais du Luxembourg was built by architect Salomon de Brosse. The regent moved in around ten years later. From its very beginnings, the Palais du Luxembourg has been an integral part of France's political history. It was here that the King's Privy Council was held, and where the fierce power struggles between Louis XIII, Marie de Médicis and Richelieu took place... In fact, forced to leave the palace following the "Day of the Dupes" (November 1630), Marie de Médicis - banished by her son, it should be noted - never saw it completed. She bequeathed it to her second son, Gaston, Duc d'Orléans. The building became known as the "Palais d'Orléans" before reverting to Louis XIV in 1694 through a series of successions.

Like the superb eponymous garden, it takes its name from the Piney-Luxembourg family: the site on which it was built belonged almost a century earlier to François de Piney, Duc de Luxembourg. Transformed into a prison during the French Revolution, the Palais Médicis became home to the first senators in 1804, with new fittings designed by Jean-François Chalgrin. This "Conservative Senate" was responsible for approving Napoleon's decisions. When the Emperor fell, it was replaced by the Chamber of Peers, while in 1836, Louis-Philippe had the palace enlarged to give it the appearance we know today. It was here that General de Gaulle created the^Fifth Republic in 1958 and re-established the Senate in its current form.

Located in the northern part of the Luxembourg Gardens, the palace was built in a sober, regular architectural style imitating the Tuscan palaces of Marie de Medici's time, while retaining a French touch. Elevations reminiscent of Florence's Pitti Palace, far from the decorative flourishes of the French style, combine with volumes from the French Renaissance château tradition. This unique palace, composed of eight square pavilions, also boasts a remarkable heritage: the State Messengers' Lounge, the Conference Room with its Second Empire decor, the Gallery of Busts, the Hemicycle, the Golden Book Room, featuring elements of the palace's original decoration, the earliest dating from the 1620s... The centerpiece of the latter's ceiling features Marie de Médicis re-establishing peace in France, a painting attributed to Philippe de Champaigne.