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Museum with audiovisual presentation on cotton printing
In the 18th century, Christophe Philippe Oberkampf founded the first factory in Jouy-en-Josas to manufacture printed cloth using engraved copper plates. This enabled him to dominate the French market for indiennes (printed fabrics), making his factory one of the largest in Europe. Jouy, where the River Bièvre flows, was chosen for the abundance and quality of its water. Production began in 1760, in the small house on the Pont de Pierre. However, the large workshop closed its doors in 1843. Jouy grew into a town that would have been ruined by the factory's closure, had it not been for a taste for vacationing that attracted a new population in the mid-19th century. Oberkampf, the village's first mayor, welcomed famous guests to his home: the papal nuncio, the empresses Josephine and Marie-Louise, as well as the great scientists Monge, Laplace, Chaptal and Gay-Lussac, all interested in the chemistry employed by the factory.
The permanent exhibition takes visitors on a fascinating journey through the history of the technique and the evolution of taste behind toile de Jouy, and its many decorative and clothing uses. The museum also features an audiovisual presentation on cotton printing. The visit ends in the large boutique, stocked with products sewn in toile de Jouy, signed by artisanal brands who are revisiting this great classic in a contemporary style. Children's workshops and conferences are also organized.
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Members' reviews on TOILE DE JOUY MUSEUM
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mais ......DISPARITION DE MES 5 OEUVRES AU SEIN DU MUSÉE
Malheureusement pour moi les 5 oeuvres que j'ai envoyées en courrier recommandé au Musée et signé à la livraison par une personne du Musée ont disparu ......
Suite à la perte de mes oeuvres, en qualité d'artiste je suis profondément choquée de constater ce manque de sérieux et de respect de la part du Musée.
Je candidatais au concours pour des créations sur le thème équestre des J.O à Paris
Sur l'oeuvre majeure j'ai représenté Paris en arrière plan avec quelques monuments, les chevaux sont traités, d'une façon très libérée: représentation de la flamme olympique, jockeys sauts d'obstacle, cavalier handisport etc ...
Les 4 esquisses sont très différentes de l'oeuvre majeure
Tout est perdu pour moi, oeuvres égarées, "détournées",
en plus je n'ai pas pu candidater
J'espère sincèrement que d'autres artistes ne se trouveront pas dans ma situation, et que cette situation fasse réfléchir le Musée sur sa responsabilité.