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POPE'S PALACE

Palace
4.3/5
90 review
Closed - Open to 10h00 Opening hours

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Carte de l'emplacement de l'établissement
Place du Palais des Papes, 84000Avignon, France
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2024
Recommended
2024

The Palais des Papes, a major monument in the PACA region, sits at the gateway to Provence, where the Rhône meets the Durance.

At the gates of Provence, where the Rhone meets the Durance, the Palais des Papes proudly stands with its fortress-like appearance. With more than 650 000 visitors per year, it is one of the ten most visited monuments in France. A true symbol of the influence of the Church on the Christian West in the 14th century, this monumental masterpiece of 15,000m2 is the largest fortress of the Middle Ages and the largest Gothic palace in Europe. Built in less than twenty years, starting in 1335, the palace - listed as a World Heritage Site by UNESCO in 1995 - was mainly designed by two popes, Benedict XII and Clement VI. Between 1309 and 1418, nine popes saw their destiny linked to that of Avignon, a city at the crossroads of the great roads of the Western world, and seven of them resided within the walls of the Palais des Papes. With its imposing architecture, the palace dominates the city with its high walls and expresses the omnipotence of papal power. It is a monument whose facade crushes us with all its height, built to express the power of the church over its kingdom. It has all the characteristics of a fortress and is endowed with the elements of military and defensive architecture, with its buttresses, its two turrets, its patrol paths, its roofs and its crenellations. But this formidable citadel, one of whose obvious reasons for existence is the protection of the popes, is also endowed with all the pomp of the pontifical.

But how to explain the presence in Avignon of a papal palace? To understand the reasons, we must plunge into a tormented period of pontifical history. At the beginning of the 14th century, it was not uncommon for popes to stay outside of Rome, depending on the political tensions and power struggles that were taking place in Europe. Rome was a turbulent city, plagued by constant intrigue and conflict. For their security, the popes moved between the major cities of the Papal States: this is known as papal nomadism. In 1305, the king of France, Philip the Fair, pressured the election of the archbishop of Bordeaux, who then became the second French pope under the name of Clement V. Under his pontificate, Avignon entered the great history of the church by becoming the official residence of part of the College of Cardinals. His successor, John XII, moved into the episcopal palace of Avignon, then installed on the site of the current Palais des Papes, which he transformed. It is only under Benedict XII, who succeeded him, that the construction of the new palace began, in 1335. This builder pope took over the organization of the existing building and built the Papal Tower, the papal apartments, the cloister, the consistory wing, several towers, the kitchens, the latrines, the chapel, etc. He richly decorated his palace with furniture and murals. His successor, Clement VI, continued to embellish the palace, adding new towers and making spectacular extensions, notably the Hall of the Great Audience and the Court of Honor. From 1378 onwards, two rival currents divided Christendom and Europe: the Great Schism saw two popes reigning simultaneously over Christendom, one based in Rome and the other in Avignon. Benedict XIII was the last pope to occupy the Palace of the Popes in Avignon, and the final return of the popes to Rome took place in 1420, under Martin V.

Occupied then by the Legates and Vices-legates from the XVth, transformed into barracks until 1906, the Palace of the Popes is the object of various restorations since then. Offering innumerable and incomparable riches, both architectural and pictorial, it makes visitors relive all the splendor of the papal court. Today, 25 rooms of the Palais des Papes are open to visitors. It takes a good hour to discover all the places to visit: the ceremonial rooms, the audience rooms, the chapels with their magnificent frescoes by the famous Matteo Giovanetti, the pope's private apartments and the three gardens restored to their medieval state. Thanks to the Histopad, an augmented reality touch pad, you can step back in time and rediscover the different rooms as they were when the popes resided in Avignon. The ceremonial rooms are restored to their original splendor and the murals to their original state. The papal gardens were restored between 2017 and 2020, and are now part of the tour circuit. Improved, enlarged and redesigned by the successive occupants of the palace, they now offer a 1,000m2 orchard, with access to the former kitchens, as well as the pope's private garden, of 600m2, to which he had private access from his apartments.

The monument also offers visitors regular cultural activities throughout the year. Visit the website to find out about the thematic exhibitions and tours that are organized during your stay. A range of educational workshops also allows the youngest visitors to try out techniques and skills that are on the verge of extinction, such as ceramic painting. During the summer season, a major art exhibition is held in the Grande Chapelle, while the famous Avignon Festival, created by Jean Vilar in 1947, takes place in July in the Cour d'Honneur of the Palace.

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4.3/5
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Visited in april 2024
Maravilloso!!!!
Visited in april 2024
Vederlo dall'esterno è molto più che sufficiente, perché l'interno è vuoto. Al di là dell'importanza storica, non sono rimaste tracce, se non in alcune cappelle decorate ad affresco, del periodo della cattività Avignone. Peccato che l'intera città di Avignone si basi sul turismo prodotto da questo sito, in cui si riversano orde di turisti e scolaresche. Ingresso 12 euro, solo per il palazzo. Se volete vedere anche il giardino (un fazzoletto di 20 metri quadrati con dei fiori) altri 3 euro; se volete vedere il ponte sul Rodano (visibile anche dall'esterno) perché non resistente all'idea di farvi una foto sul fiume sono altri 5 euro. All'ingresso vi viene fornito un Tablet, anche bello pesante, che vi dovete portate dietro per tutto il percorso. Niente audio (mi viene da dire per fortuna, altrimenti con tutta le gente che c'è sarebbe il caos), solo video e scritte. Se avete meno di 10 anni è fantastico perché vi fa vedere come dovevano essere arredate le stanze, se siete adulti, alla seconda stanza vi siete già stufati di cercare gli oggetti nascosti, schiacciando sul monitor qua e là. Per "sbloccare" le immagini delle sale dovete andare in un totem al cento della stanza, in cui ci sono minimo altre 20 persone che cercano di fare altrettanto. Vedere gli anziani girare con il tablet di qua e di là cercando di capirci qualcosa poi, è quasi divertente. Nelle poche, pochissime, sale affrescate non si possono fare foto.
Visited in april 2024
Lieu magnifique, la visite avec la tablette immersive est vraiment très bien. L'achat des billets à l'avance est très appréciable.
Visited in april 2024
C'est un véritable chef d'œuvre architectural et une prouesse technique pour l'époque.
Nous y étions lors de l'exposition d Eva Jospin. Incroyable.
La visite avec l histopad rend cela plus vivant .
Visited in april 2024
It had great view of the city, although the inside was boring and all the rooms looked the same. There are guided tours also, but I didn't live with the opportunity.The souvenir shop had a lot to choose from.
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