AURANGABAD CAVES

The Aurangabad caves are a good introduction to the practice of Buddhism in ancient India. A visit to these caves is optional if you are planning a trip to Ellora or Ajanta. They are divided into two groups, one facing west and the other east, one kilometer apart. Each group comprises 5 caves. The ticket allows you to visit both groups in the same day. Not often visited, the caves are ideal for a pleasant stroll.

The western group

The 5 caves in this group date back to the^5th century. All caves are vihara (monastic dwellings) with the exception of cave no. 4.

Cave no. 1: its construction was unfinished.

Cave no. 2: the walls of the chamber are adorned with sculptures of Buddha in meditation. Sitting cross-legged, Buddha rests his hands one on top of the other in the hollow of his legs, back down. The main idol is a bhagwan Buddha, or Buddha of the future.

Grotto no. 3: this is the most imposing grotto in the first group. Square in shape, it is supported by a set of square pillars decorated with foliage and geometric motifs. The sanctuary door frame features amorous figures guarded by nagas.

Grotto n° 4: this is the oldest grotto. It houses a semicircular chaitya-gruha with a ribbed vault. This cave was used as a prayer and meditation room.

The eastern group

This group of caves dates from the ^7th and ^8th centuries.

Grotto n° 6: this two-section grotto is almost intact. One houses a Buddha and the other a statue of Ganesh. This coexistence testifies to the great religious tolerance that reigned on the Deccan plateau and the evolution of religion over time. Also noteworthy are the remarkable sculptures of women sporting exotic hairstyles and ornaments.

Cave no. 7: the most remarkable and majestic of all Aurangabad's caves. Early in the morning, the sun caresses the feet of the Bhagwan Buddha. To the left of this temple, you can see a stage with 7 dancers. The principal dancer, Amrapali, was a royal courtesan of ravishing beauty. During Buddha's visit, she expressed the wish to receive him for dinner at her home. Despite her misgivings, he agreed. Following this visit, Amrapali gave up her life of levity and took the Buddhist path.

Cave no. 10: The cave contains a reclining Buddha statue, representing the attainment of nirvana.