CHIESA SANTISSIMA ANNUNZIATA

The church is built on the oratory of the Order of the Servants of Mary, founded by seven young monks to whom Mary appeared in 1235. Then, as the ultimate renunciation of the world, they founded the monastery of Monte Senario in Fiesole. Michelozzo built the first cloister in the middle of the 15th century. The main body of the church, begun in 1440 by Michelozzo and Pagno Portigiani, was then modified by Alberti who created the powerful platform that can be seen on the right side. From the sober facade, decorated with the arms of Pope Leo X de Medici and the frescoes of the young Pontormo, you can access three different settings: on the right the chapel of the Puccio of San Sebastiano, on the left the vast cloister of the Dead decorated with frescoes by Andrea del Sarto, in the centre the first cloister (chiostrino dei Voti), decorated with frescos by the masters of Florentine mannerist painting from the early 16th century: Rosso Fiorentini, Pontormo, Franciabigio and Andrea del Sarto who, with the Birth of the Virgin, painted the most faithful portrait of his wife Lucrezia del Fede, unfortunately unfaithful according to Vasari.

The interior, designed by Alberti, but later covered with a sumptuous baroque decoration, consists of a nave covered with a large dome. The remarkable Baroque ceiling is by Giambelli according to a drawing by Volterrano (17th century). Many works of art are preserved in the side chapels: frescoes by Andrea del Castagno, an Assumption by Perugino, a Resurrection by Bronzino, sculptures by Giambologna and, in the transept, a marble Deposition by Baccio Bandinelli whose self-portrait can be seen in Nicodemo's face. On the left is a small marble temple designed by Michelozzo in honour of the fresco of the Annunciation, which is now venerated and displayed to the faithful every 25 March, the day of the Annunciation (Florentine New Year's Day for several centuries). According to legend, the anonymous artist of the 14th century who executed the Birth of the Virgin fell asleep after making the angel, but his sleep was disturbed by the fear of not being able to paint a Virgin of better quality than the angel already painted. When he woke up, he was surprised to find the fresco completed by a supernatural hand. The miraculous virtues attributed to painting by popular tradition since then have led young wives to go to the Annunziata church after their wedding to offer the Virgin of the small temple their bouquet of flowers.