MUSÉE ARIANA, MUSÉE SUISSE DE LA CÉRAMIQUE ET DU VERRE (SWISS MUSEUM FOR CERAMICS AND GLASS)
If the theme of this museum - ceramics and glass - can leave some people cold, think again! It's well worth a visit - after a guided tour of the UN, for example, since it's right next door. The site is a jewel, well worth a visit for the richness of its collections, the beauty and refinement of its works, the quality and creativity of its exhibitions juggling contemporary and classical art. Housed in a beautiful, light-filled building, the museum is dedicated to the history and art of ceramics, glass and stained glass. Its collections, from Switzerland, Europe and the Far East, bring together pieces of unique beauty dating from the 9th century to the present day. We learn a great deal, following step by step, around the world, the history of porcelain, imported from China to Europe by the ships of the East India Company. As the museum's curator asserts, ceramics, glass and stained glass, the "arts of fire", were born of the four elements, earth and sand, nourished by water, then shaped by fire and nurtured by air. A true "connection with nature". Then comes the artist's extraordinary inventiveness over time. It's a journey around the world, through history and cultures. Over the course of history, these pieces reflect the almost infinite creativity and refinement of artists from a wide variety of cultures, and the wealth of exchanges and influences between these same cultures. Is it because the museum is housed in a vast, luminous building, with an atmosphere that reflects its founder's openness to the world? Quite simply, it makes you feel good. Close to the UN, this imposing building with its imposing dome, dating from the late 19th century, is surrounded by a beautiful park, the last remains of the vast estate of its founder, Gustave Revilliod (1817-1890). This wealthy man of letters was an exceptional traveler, art collector, archaeologist, scholar, humanist and polyglot, who traveled throughout Europe, the Orient and the rest of the world, bringing back masterpieces. He was passionate about everything: painting, sculpture, prints, textiles, furniture, ceramics, glass... As a patron of the arts, he travelled extensively and collected over 30,000 pieces, notably from the Far East. Today, the site houses over 28,000 pieces. The museum is well laid out, with large, well-lit rooms where the works are particularly well displayed. The museum evokes the odyssey of porcelain, which originated in China, appeared in the Middle East and then in Europe. It arrived by ship from the Middle Kingdom, and the round trip took eighteen months. Porcelain was a phenomenal success, but the secrets of its manufacture - jealously guarded by Chinese ceramists - remained unknown until the early 18th century. The fascinating history of ceramics over the centuries right up to the present day is recounted here. You'll be able to admire sumptuous pieces originating in China, the famous blue and white ceramics, the three-colored ceramics, and ceramics adapted to Western orders. The representation of Westerners as seen by the Chinese on ceramics is not without its salt. Wherever you are in the world, the way you look at things differs according to your country of origin. Persian ceramics reflect a civilization of unique wealth and refinement. As you enter the site, you are impressed by the imposing entrance hall, the brightly-lit rooms and the imposing vaulted ceiling. The building was dedicated to Gustave Revilliod's mother - named Ariana. Its architecture is inspired by Baroque and Italian influences. Its appearance is imposing, to say the least.
Works are exhibited in large, bright rooms, arranged along circular galleries around or above the imposing entrance hall - a grand staircase had been planned when the building was designed, but the idea was eventually abandoned.
Take a break in the small salon on the first floor, where you'll hear some travel stories told by Gustave Revilliod himself. Fascinating memoirs in which this open-minded and curious man of the world recounts not only some of his travel experiences, but also his exasperation with an overly conventional, sclerotic society and its contemporaries. As he says, the latter drove him to go back to the other side of the world.
The park - most of which now belongs to the UN - has a few souvenirs, including a replica of a bell from Japan's Shinagawa temple,
The temporary exhibitions are well worth a look, and the presentation of the pieces is really well thought-out and highly original. The dynamism of the museum's team is to be commended, as they always combine intercultural, social and historical aspects.
Every first Sunday of the month, as well as on certain Thursdays, the museum organizes excellent free guided tours of current exhibitions, not to be missed if you're visiting Geneva during this period. To find out more about the various events and workshops organized by the museum, consult the agenda available directly on the website (www.musee-ariana.ch/fr/agenda).
Did you know? This review was written by our professional authors.
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Members' reviews on MUSÉE ARIANA, MUSÉE SUISSE DE LA CÉRAMIQUE ET DU VERRE (SWISS MUSEUM FOR CERAMICS AND GLASS)
The ratings and reviews below reflect the subjective opinions of members and not the opinion of The Little Witty.
Cadre magnifique beau bâtiment situé dans un parc très bien tenu.
Collection permanente d'accès libre et gratuit.