THE MUSEUM OF IVORY COAST CIVILIZATIONS
A modest national museum created in 1972, displaying a collection that bears witness to Ivorian and West African culture and history.
The National Museum of Abidjan was created in 1972. It is quite modest despite its large unexhibited museum collection: it has only one large room with thematic dependencies. Its original vocation was to present the independent Ivory Coast in its cultural diversity. In 1994, it was renamed the Museum of Civilizations of Côte d'Ivoire (MCCI) at the initiative of Professor Georges Niangoran-Bouah, a great intellectual figure of the country. This collection is a precious testimony of the tangible and intangible heritage of the country, a true living memory of the Ivorian and West African culture and history. The father of the Senegalese nation, Léopold Sédar Senghor, a connoisseur of the subject, considered it "one of the richest museums of negro art in the world".
This museum has had an eventful history: the national treasure has suffered. Looted in March 2011, it remained closed for nearly two years, awaiting rehabilitation. At that time, nature had reclaimed the institution's 2.5 hectares of land, and the roof of the building, gutted by a shell hole, still bore the scars of the Battle of Abidjan, during which the equivalent of more than 6 million euros worth of (120) priceless pieces had been stolen.
It was on July 21, 2017, on the sidelines of the eighth Games of the Francophonie then held in Abidjan and after 20 months of intensive work, that this cultural phoenix was truly reborn from its ashes. The first exhibition (visible from 2017 to 2019), deliberately named "Renaissance" presented a selection of a hundred masterpieces of the MCCI. The Abidjan museum, itself a work of art with its 20 carved wooden pillars, now looks great and meets all international requirements in terms of presentation of works, scenography of exhibitions and conservation conditions (light, air conditioning, security of the pieces...).
With its beautiful garden dotted with colorful contemporary works and planted with century-old trees of rare and therapeutic species, its exhibition rooms divided into six areas (archaeological, contemporary, Akan, Krou, Gour and Mande), its specialized library, its store, its patio, its conference space and its restaurant, the Museum of Civilizations of Côte d'Ivoire has become a real living space.
Today, the MCCI has a museographic collection of 15,000 pieces covering a period from the Upper Paleolithic (10,000 BC) to the 21st century. Ethnographic, archaeological and iconographic objects. These diversified works, representative of all regions of the Ivory Coast, are grouped into several categories: masks, bronzes and statues, weapons, ornaments and attributes of power, weights to weigh gold, musical instruments, carved doors, royal and chieftaincy furniture, textiles, everyday objects and agricultural utensils, without forgetting objects that bear witness to the slave trade and colonization, such as slave restraints. The permanent collection has been redesigned and inaugurated in November 2019 under the name "Pride, Symbols and Identities", in a more modern approach. It's a shame that so few pieces are on display given the richness of the collection. The MCCI also organizes temporary exhibitions (see the Facebook page).
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Members' reviews on THE MUSEUM OF IVORY COAST CIVILIZATIONS
The ratings and reviews below reflect the subjective opinions of members and not the opinion of The Little Witty.
Il nous a manqué une histoire ou l’histoire autour de ces belles œuvres , le contexte et une mise en situation éventuelle…
un fil conducteur entre les différentes expositions, le contexte, l’âge des pièces ( pas seulement l’année d’acquisition par le musée)
Un guide ? des brochures ? des audios ? Tout ceci aurait rendu notre expérience plus authentique et enrichissante.
Malheureusement l’expérience est ternie par le comportement raciste des caissières présentes lors de notre visite. La grille tarifaire différencie entre ivoiriens, africains et autres; jusqu’à la pas trop grave même si il y a matière à débat. Mais lorsque que l’on se moque de nous à notre figure pour avoir demandé des billets ivoiriens, nationalité que nous portons fièrement depuis notre naissance, et que l’on nous refuse l’entrée a prix local parce que notre teint de peau fait que « vous n’êtes pas ivoirien », il est dur de se sentir à l’aise pour la suite de la visite.
En somme, un musée intéressant et regorgeant d’histoire, auquel j’aurais mis 5 étoiles, mais les employés gagneraient à s’instruire eux mêmes sur la civilisation ivoirienne et sa diversité.